Pasáži Renesance

Prague has more arcades than Paris. Still, they are less known. This is unfortunate, because these arcades underlining the identity of Prague and the Czech Republic. This is underpinned particularly during the 1990s arcade renaissance. New arcades have been designed, like Pasáž Jiřího Grossmanna (1995 –1996), Rathova Pasáž (1996), and the redesign Hrzanska Pasáž of 1702-1704 (1996). These projects have upgraded existing arcade systems, introduced new styles, but foremost new hopes… It echoed an update on the Czech Awareness.

Throughout history we have seen this happen in the design of arcades in Prague. This particular study brings us back to the rise of Bohemian identity and unfolds an epistle illuminating an alternative arcade project. As such, the study reframes relations between design of public space and society and provides a way to understand shifts in these.


Pasáže Černé Růže (1936), by Oldřicha Tyla

Pražské Pasáže
Arcade Projects in Prague
Public Buildings | Urban Architectural Design | Contextual Assignment
as projects for people, and projects within Society

Places of Being and Eternal Paths

Magic Lanes in Hong Kong displays an inspiring community-design project that aims at turning a street into a place for stimulating vibrant urban life, which is rewoven with the present contemporary social fabric. By mapping current use and envisioning potential use of urban space by local residents, the project has set a base for real-life experiments. These experiments highlight the spatial assets people own by nature. In responding to the rapid urbanisation of this early-developed neighbourhood, the project it encourages their participation in the street. Located at Sheung Fung Lane (常豐里), the space used to be an empty concrete urban space characterised by outdoor stairs and blind facades of the neighbouring parking garages, and foremost no people actually staying there. With this project, people have entered a process of place re-making. It seems the essence of what is a ‘li’ (里), because next to its contemporary connotation of ‘lane’, this notion is used more accurate as ‘place’. Yet, also, it is ironically strong because it works with the street name. The notions of ‘sheung’ (常) and ‘fung’ (常) refer resp. to eternal/unchanging and to plenty. As if, magically, a flower pot is always full of living flowers. The project incorporates the ideas of its community members and it facilitates physical changes in this space. If people are present it will be a place again.

一刻 社區設計館,西營盤常豐里2號怡豐閣7號舖
First Community Design Museum;
Shop 7, Yi Fung Court, 2 Sheung Fung Lane, Sai Ying Pun

At the same day earlier, I have also noticed that many streets in Hong Kong are known as ‘toa’ (道). Tao, which has a much longer history, means ‘way’, ‘path’ or ‘route’, and thus is translated simply as ‘road’ today. Philosophically, again de-contextualised, this notion represents the intuitive knowing that life cannot be grasped full-heartedly as just a concept. It relates to the path human beings are on. This path is known nonetheless through the actual living experience of one’s everyday being. This may make the presence of people in space, part of the same endless path we are on, wherever we are.

古之善為士者,微妙玄通,深不可識。
The ancient scholar is virtuous, subtly mysterious, deeply unknown.

or, as we may say at the present:
Once upon a time, those who knew the Way, were a mysterious and subtle people, transient yet profound, tranquil yet utterly unfathomable.
Chapter 15 (第十五章), Dao De Jing (道德經), attributed to Lao Zi (老子)