Tag Archives: Europe

Design-Driven Doctoral Research

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The Strategic Partnership CA²RE+ develops a collective learning environment through the evaluation of Design Driven Doctoral Training. Design Driven Doctoral research (DDDr) is taken as a multidisciplinary example of an experiential learning-through-evaluation model, appropriate for identification and promoting relevance of research singularity, its transparency, and recognition, to award excellence in doctoral training for creative and culturally rooted solutions of contemporary design-driven developments. The CA²RE+ project starts in September 2019, finishes in August 2022, and represents a trigger of the CA²RE Conference developments.

As the final to the CA²RE+ series under the themes of observation and sharing (strategies), comparison and reflection (experiences), and reformulation have led to this last event under the theme of recommendation. It provides a platform where both the learners and educators contribute to chartering future recommendations for Design-Driven Doctoral Research (DDDr). To combine the accumulated experience and knowledge in the previous events, the emphasis on the doctoral candidates’ experience and views within the DDDr programmes will play a key role both in the formulation and validation of the future recommendations within the project’s last phase, namely the framework for DDDr.

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Empowering Resilient Communities

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Resilient Communities | Comunità Resilienti

Following earlier presentations of the Design of Public Space research group from Delft, Maurice Harteveld participates in the ‘Empowering Resilient Communities’ event organised at the Italian Pavilion at the 14th International Architecture Exhibition in Venice, on Friday 12 November, from 2 pm. As part of the international scientific committee of the pavilion, he will reflect on various Italian projects, which will be presented in this session. His review relates to a broader inventory of actions, which are being currently taken in the networks of public space to strengthen community resilience. Rotterdam serves as an exemplar, and as such these actions challenge the design of public space, and with that among others the disciplines of urban design, landscape architecture, and architecture.

The Italian Pavilion has organised the event as an opportunity to present and discuss some of the experiences already included in the research project Mapping Resilient Communities, while providing a platform for knowledge transfer and capacity development, especially in most vulnerable areas, in Italy and beyond, with the participation of UN-Habitat.

when:
Friday 12 November
14:00-17:00h

where:
17th International Architecture Exhibition
Italian Pavilion
Venice
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For Example Delft

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Delft University of Technology
Julianalaan 132-134
Delft

Our conference ‘For Example Delft’ addressing approaches in architecture education: What to teach in the context of Radical Realities? What to learn from the Humanisation of Design? How to prepare for Multi-Actor Approaches? How to be qualified in an age of Animated & Automated Creation? – with resp. Merete Ahnfeldt-Mollerup (Royal Danish Academy) Peter Staub (University of Liechtenstein) Maria Rubert de Ventós (ETSAB) and Thomas Bock (TU München). In the evening: Laura Lee (Carnegie Mellon University) and Diane Ghirardo (University of Southern California).

poster_A2

See:
EAAE Annual Conference & Assembly September 2016 (available in 2016)
European Association for Architectural Education / Association Européenne pour l’Enseignement de l’Architecture

EAAE logo

Design and People

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Lecture

Design and People
Bringing the Urban and Architectural Together

on invitation of
Sveučilišta u Zagrebu

18 April 2016
14:30h

Faculty of Architecture
University of Zagreb
Room 422
Andrije Kačića Miošića Street
Zagreb, Croatia

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 Predavanje

Dizajn i Ljudi
Objedinjujući Urbanistički i Arhitektonski

na pozivu
Sveučilišta u Zagrebu

18 Travanj 2016
14:30s

Arhitektonski Fakultet
Sveučilišta u Zagrebu
Učiónica 422
Ulica Andrije Kačića Miošića
Zagreb, Hrvatska

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EAAE GA and Conference 2016

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For Example Delft: A Case Study discussed in the Context of Institutional Profile(s) and the Future of Architectural Education.
31st August – 3rd September 2016

Conference registration starts 10 April 2016
Find the link on the EAAE website

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Publicly-Known Space

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Delft University of Technology
Oxford Brookes University
University of Zagreb and
University of Rijeka

Exhibition

Hartera/Školjic/Rijeka
Could it be…. this too?
on invitation of
Association of Architects of Rijeka
Department of Culture
City of Rijeka

17-27 October 2014

Association of Architects of Rijeka
Ivana Dežmana 2a
Rijeka, Croatia

Four European universities explored the revitalisation of the former paper factory in Rijeka within the entire zone Školjić. For a large number of people from Rijeka, this former industrial zones, including zone Školjić does not exist in their mental image of the city or they are perceived as areas without access. The purpose of this exhibition could be seen at least a three-fold: to introduce the younger generation of citizens of Rijeka with its own city throughout its coverage; show them a way of growth and development of the city; affect the development of sensitivity to the construction heritage not only the representational type but that is often considered to be the not worth watching.

Technische Universiteit Delft
Oxford Brookes University
Sveučilište u Zagrebu i
Sveučilište u Rijeci

Izložba

Hartera/Školjic/Rijeka
Moglo bi… i ovako?
na pozivu
Društvo Arhitekata Rijeka
Odjel za Kulturu
Grada Rijeke

17- 27 Listopada 2014

Društvo Arhitekata Rijeka
Ivana Dežmana 2a
Rijeka, Hrvatska

Četiriju europskih sveučilišta istražili revitalizacije bivše Tvornice papira Rijeka i cijele zone Školjić. U mentalnoj slici vlastitoga grada većeg broja Riječana bivše industrijske zone, uključujući i zonu Školjić, ne postoje ili ako postoje, percipiraju se kao zone bez pristupa. Svrha posjeta ovoj izložbi mogla bi se vidjeti u najmanju ruku kao troslojna: upoznati mlađe generacije Riječana s vlastitim gradom u cijelom njegovom obuhvatu; pokazati im jedan od načina rasta i razvoja grada; utjecati na razvoj senzibiliteta prema građevinskom nasljeđu ne samo onog reprezentativnog tipa nego i onog često smatranog ne vrijednim gledanja.

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Abandoned Area

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Rehabilitation of Hartera

Only a few people live and work in Hartera. It used to be a vibrant part of the city of Rijeka where hundreds of people were flocking in and out every day. Today, this area largely abandoned. Its famous paper factory closed its doors about a decade ago and since then the area fell into decay. Nevertheless, despite its decline, Hartera is all but forgotten! On the contrary; Hartera is in the minds of many people. Locals will relate the area to its rich industrial heritage, unique buildings and great views to the hills. Some people refer to its annual music festival, current grassroots events, and emerging cultural scene. Although Hartera is known by most people, seldom it is used by many. The challenge for the public government of Rijeka and many other actors is to make this area public with respect to the multiple images people have of the site. This area can become publicly-used, not just publicly-known. A spa facility or entertainment park will not be answers for this particular side, nor will it be for example a shopping mall. Those kinds of development stimulate appropriation of the space by special target groups, blocking the way for others, and/or they change the identity of the area so drastically that people will change their perception of the area and neglect the newly developed as soon as it will becomes out of date again.

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The Curse of Bigness

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There are some who glorify the state or quality of bigness. This seems to be something characteristic of the modern age – the first hosannas began to resound around the dawn of the metropolis. We see it in the writings of Louis Sullivan and in the statements made by Le Corbusier. They like buildings to be big. Bigness is their quality. The notion of ‘bigness’, as pushed forward more recently by among others Rem Koolhaas, is based on complete disconnection between the interior and the exterior. “Bigness is no longer part of any urban tissue”, he thinks. Context – the relationship with the building’s surroundings – is supposedly irrelevant. Nonsense! His theorem is contradicted by studies of existing cases. When a building exceeds a certain size and becomes a large-scale structure, public interiors are created. The increase in the number of people using both these indoors and the outdoor space links big buildings closely to their surroundings, more then do small-scale buildings, and thus far from being isolated, big buildings become more connected. In their urban environments, the interaction becomes visible and multi-level or privately-owned public space is created within big buildings. New public interiors extend the outdoor network and thereby give the building a fine-meshed structure. In essence, as the interiors become more public, the small scale is introduced into the building. The building may be big purely in terms of size, but in many ways it is quite as diverse as any part of the city.

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On Public Interior Space

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In the city today, we meet in public atria and shop in malls, we move along covered walkways and go from street to street by taking shortcuts through the buildings of a city block. In recent decades, the amount and proportion of public space within urban buildings has steadily increased, with much of it forming part of a larger interior and exterior pedestrian network. Yet, although interior public space has become an important constituent of the contemporary city and of our urban experience, it is rarely designed as such. Prompted by this disconnection, Maurice Harteveld has followed different leads to examine contemporary urban design in relation to public interiors. Through this research, he has documented in particular the urban analyses and architectural designs of Robert Venturi and Denise Scott Brown, in which interior public space is accorded significant and multiple roles. Ideas pioneered by Venturi and Scott Brown have become absorbed within architectural practice, notably their use of the Nolli Map introduced in their 1972 study of Las Vegas. Similarly, the concept of the ‘rue interieur’ seen in their earliest projects, has matured in their later work to include an internal street imbedded in a network of urban public spaces and pathways, both interior and exterior. However, although they refer to interior public space frequently in their writing, Venturi and Scott Brown have yet to describe their views on it in any great detail; a more focused examination that the following dialogue between Maurice Harteveld and Denise Scott Brown seeks to provide.

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Viva Las Vegas

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In explorations of the notions of public space, public interiors are generally seen as undemocratic and more private spaces. This is based on the Roman distinction between publicus and privatus, but making public space, as a public case, refer primarily to res publica. – On the other hand, there is a related Roman public law that deals with the common interest of urban society, and could include cases of interior public space. Most sociological research in contemporary daily life reveals these spaces as public. For urbanism, this research can be seen as the social context, because the urbanist is primarily focused on the city: the civitas, and not the whole societas. More specifically, for urban designers who deal with public space, it traditionally means focusing on the outdoor space, and although this is almost always synonymous with the public domain or publicly owned space, I believe that public space can be more than this. For urbanism this means there is a need for new understanding and an extension of the design task..

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