Tag Archives: United States of America

After one Year without Public Space

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Wrapping up a challenging year with a final online 2-day symposium ‘2020 A Year Without Public Space: Reflections & Outlook’ to reflect and plan ahead for 2021, particularly in the aspects of Cities & Health, Digital Public Space, Innovative Approaches & Creative Practices, and Campus as Public Space.

2020 passes in a blink. COVID-19 completely changed our world, our work, our school, and our daily life routine. COVID-19 also changed the public space where we for the first time have to stay away with during global lockdown, spaces where we perhaps took for granted for joyous gatherings, block parties, after-school hangouts, parks where we share experiences, exchange a thought, bump into neighbours and colleagues, have become cold spaces for disseminating hygiene items and food supplies, testing cases, or otherwise deserted and fenced off. Yet, at the same time, new spaces emerge, bike lanes, pedestrianized zones, pop-up installations, eateries and street stalls have found their ways in many cities and administrations. Coming to the end of 2020, we feel that now it’s the time to look back, reflect, and plan ahead.

2020: A Year without Public Space under the COVID-19 Pandemic – Reflections & Outlook
International Symposium
6-7 November 2020
register at: www.publicspace-covid19.com

Please be welcome at one of the sessions on Day 1 and Day 2, and particularly to the roundtable discussion and closing remarks.
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On Public Interior Space

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In the city today, we meet in public atria and shop in malls, we move along covered walkways and go from street to street by taking shortcuts through the buildings of a city block. In recent decades, the amount and proportion of public space within urban buildings has steadily increased, with much of it forming part of a larger interior and exterior pedestrian network. Yet, although interior public space has become an important constituent of the contemporary city and of our urban experience, it is rarely designed as such. Prompted by this disconnection, Maurice Harteveld has followed different leads to examine contemporary urban design in relation to public interiors. Through this research, he has documented in particular the urban analyses and architectural designs of Robert Venturi and Denise Scott Brown, in which interior public space is accorded significant and multiple roles. Ideas pioneered by Venturi and Scott Brown have become absorbed within architectural practice, notably their use of the Nolli Map introduced in their 1972 study of Las Vegas. Similarly, the concept of the ‘rue interieur’ seen in their earliest projects, has matured in their later work to include an internal street imbedded in a network of urban public spaces and pathways, both interior and exterior. However, although they refer to interior public space frequently in their writing, Venturi and Scott Brown have yet to describe their views on it in any great detail; a more focused examination that the following dialogue between Maurice Harteveld and Denise Scott Brown seeks to provide.

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Viva Las Vegas

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In explorations of the notions of public space, public interiors are generally seen as undemocratic and more private spaces. This is based on the Roman distinction between publicus and privatus, but making public space, as a public case, refer primarily to res publica. – On the other hand, there is a related Roman public law that deals with the common interest of urban society, and could include cases of interior public space. Most sociological research in contemporary daily life reveals these spaces as public. For urbanism, this research can be seen as the social context, because the urbanist is primarily focused on the city: the civitas, and not the whole societas. More specifically, for urban designers who deal with public space, it traditionally means focusing on the outdoor space, and although this is almost always synonymous with the public domain or publicly owned space, I believe that public space can be more than this. For urbanism this means there is a need for new understanding and an extension of the design task..

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